Blog Post

An Insight Into The BBC’s Morning Live Programme – With Executive Producer Joe Allen

Joe is Executive Producer at BBC Studios.  He’s responsible for all the pre-recorded content on BBC Morning Live, and supports BBC Watchdog on The One Show, producing consumer films for their Wednesday slot.

He’s responsible for a team of 75+ journalists, based all over the UK, producing a minimum of 15 current affairs films a week for BBC Morning Live.  His passion, he told us, is consumer journalism.

Joe Allen
Screenshot

And it all started when he was the runner on  BBC Watchdog, then presented by Anne Robinson, 15 years ago.  He says he wanted to “fight for good”. He’s passionate about consumer stories and wants to help inform viewers about what matters most to them. After a few years producing topical series and documentaries for other channels, Joe was invited back to the BBC as topical producer for the One Show before he got ‘the call’ to be the series producer for a new show Morning Live.

Initially, back in October 2020, the programme was commissioned for just a 6-week run but fast forward and they’re now on series 7 and the show has pretty much doubled in duration from 45 minutes to 75 minutes.

It’s frequently the most watched daytime show with typically 1.1-1.3 million viewers tuning in daily – that’s 30% of the morning TV audience.

Who is watching BBC Morning Live?

A little more about the films Joe is responsible for

Television logistics

For the filmed packages Joe commissions, they require at least 7 days’ notice to produce a film comfortably, although Vox pops (asking members of the public questions on a topic) can be turned around faster for the right topic, but these are often based on a news line, or new statistics.    However, studio based content can be turned around much faster as it’s live each day, while content is usually planned weekend in advance, for last minute stories, experts can sometimes be required.

 

Other considerations and tips

First hand accounts of interesting stories are always welcome on the programme, and if it comes from a recognisable household name, that can be useful too. Joe says stories need to be genuine and useful to the audience, and to avoid trying to pitch a story where the motivation is plugging a product or service. While incidental and balanced references to brands or products, provided they are not unduly prominent, are possible, they cannot be in any way central to an item and stories always need to be justified by being genuinely useful to our audience. Joe also pointed out that BBC Morning Live follows BBC Breakfast in the schedule, and so to be conscious of pitching very news like stories which may appear first on that programme. Ask what is Morning Live bringing that’s different, and the answer is usually that takehome advice.

 

Exclusives can be a real bonus to a story, but the story must stand up in its own right for the programme as well. Joe mentioned that exclusive statistics or research can sometimes be a good topic for a vox pop, which can be turned around much more quickly than other films. He said Morning Live will be off air over the summer, with the current series ending on the 11th July, and returning  early September.

the One Show logo

The One Show digital output

Morning Live has a very active website, and it has a lot of content and further information /advice about topics covered on the show. Often when stories feature on the website they then get picked up by news too and can be amplified further.

And finally what stories do they like most?

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